The Journey of Story

Storytelling, Technology and Life

Talking to Monsters

July28

Fair warning:

This post is going to be a little bit weird–maybe a lot weird–depending on your perspective. I promise, that this really is useful to me, which is why I’m sharing it. Of course, it may, or may not be useful to you. Please take whatever you find useful and leave the rest.The foot of a Monster

One of the things that the amazing, wacky, and wonderful Havi Brooks has been talking about a lot lately on her blog, The Fluent Self is the idea of talking to monsters.

Monsters???

Don’t they just live under the bed? And didn’t we learn that they were real a long, long time ago?
Well, in my world the answers are no, and no.

Here’s the idea:

we all have stuff, particularly, the stuff that comes up when we think about doing things that feel really important, or things that we really really want to do. For instance, I wanted to write this blog post, and I hear this voice in my head which says “you can’t do that, it has nothing to do with any of the things your blog is about, everyone who reads your blog will hate it, if you write it you’ll never be able to have a presence on the Internet again.”
See, to me, that’s a monster talking, in fact, it’s one of my monsters.

The most important thing about monsters

Yes I know, a lot of people would just call this negative self talk, or any number of other things. I don’t know how to negotiate or talk to “negative self talk.” For me though, by calling it, and thinking of it as a monster, I can talk to it and figure out why it’s there, and what it wants.

Here’s the key

Every monster is there for a reason, and that reason is always, every time, without exception, positive. Every monster we have is there for a reason, to help us or protect us in some important way.
Now I know that may sound strange, that our monsters are there to help. It is however, true. You see, monsters are created by our past experiences, when I was a kid I had experiences of being teased and judged negatively. Out of that experience, was born a monster (probably more than one) who are looking out for situations that might cause people to tease or judge or otherwise think negatively of me. They are there to protect me from that bad experience.
But I’m different now, and the world is different now. I’m an adult, not a seven-year-old miserable on the playground. The thing is, often the monsters don’t realize the difference that makes.

Approaching my monsters

Now we get to the reason I really wanted to write this post. I’ve been talking to a lot of people about this lately on blogs, and various other places online. And I feel like there’s something missing from most of these discussions about talking to monsters that I found very useful in myself.

Thanking Your Monsters

When I go to talk to one of my monsters, I make a point to thank them, for what they’re doing for me. I say something like “thank you for being willing to talk to me, I know you’re here for really important reason. I know there’s something critical that you’re doing for me. Would you tell me what that is?”
My experience is, that this approach dramatically softens the situation, as you might imagine that it would in an interaction between two people. I’m recognizing that the monster is there for some important reason. Once I know what that reason is, I can learn about the monster’s worldview, and why he or she acts the way he or she does.
The more I understand that, the easier it is to get this monster to understand my view, and my perspective as an adult. I find, that this often dissolve resistance to change, almost like magic.
If you’d like to read more about this I’d recommend Havi’s Posts:
An example of one of her monster dialogues: Talking To The Book Monster
Also
Monster Watching: Some Notes
and
The Negotiator, the Monster, and the Scribe
Have you ever tried talking to monsters? Would you? I’d love to hear about it in the comments. However, please, don’t tell me I’m crazy (I already know that.) Also, please don’t tell me that I need therapy or that this doesn’t work (because for me it’s extremely powerful.) If you want to share an experience, whether it worked for you or not, please do–just don’t tell me that what I do doesn’t work for me. Thanks for being sensitive about this, my monsters appreciate it.
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Projecting Holst’s Planets

July27

So in my last post, which now feels like ages ago, I mentioned that I was going to be creating a gigantic projection design for Holst’s suite The Planets, to be performed with The Portsmouth Symphony Orchestra.

Poster for The Planets with The Portsmouth Symphony Orchestra

It had been my intention to blog about the creative process as I was creating the piece. As you may have determined by now, that didn’t happen. Instead, I ended up putting virtually every free moment I had into creating the projections. It was worth it.

The performance was really extraordinary, and received an extended standing ovation with the conductor being called back for additional bows three times.

More importantly, the audience was truly engaged by the combination of music and imagery. I was able to talk to a number of members of the audience after the show, and was really blown away by the response.

At some point, I will have some extended excerpts from the piece to share with you, I am dealing with some technical issues about how to convert them into a format that I can upload.

What I do have, that I can share with you now, is the trailer that I created as a preview for the orchestra’s website.

I’d also like to share with you my program notes, which I think will give you some idea of my thought process and creative process.

Creating imagery for “The Planets” is a daunting task for a projection designer. Holst’s amazing music was written about the astrological planets, that is to say, the significance that the planets have in classical astrology. In Holst’s time, the beauty of the astronomical planets
(the actual objects in space) was just beginning to be discovered through powerful telescopes, and was not widely known.

Today, we are fortunate to have an amazing and almost endless catalogue of images of the universe. Images, from ground-based telescopes  and spacecraft such as Hubble and the Mars Rovers provide an incredible wealth of scientific knowledge and also of visual texture and beauty. It is in this second capacity, as artistic images, that I draw on them for this piece. I also draw heavily on the 3-D space visualizations which it is possible to create using modern computers and the amazing DigitalSky 2 software. This software was created here in New Hampshire by Sky-Skan, and is used in
planetariums all over the world.

Each movement begins with imagery of the planet that it is named for, from there we go wherever the music and the visual rhythm of the
imagery lead. In some movements we explore the planet and its moons, in others we fly to the very edge of the visible universe. I’ve made a choice not to be bound by the science of what these objects are, but simply to allow the music to lead my eye wherever in the universe it is drawn. So I invite you to approach experiencing this
piece as I do, as a feast for the ears and the eyes, and let your heart take flight.

I’ll have another post going up on Thursday where I’ll talk about some of the technology behind the show.

And by the way,  I’d love to bring The Planets to a performance hall near you!  If you know of a local performance of The Planets that might be interested in projections, please let me know!

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