When I first looked at the space (the Church’s sanctuary,) my reaction was that the whole space – walls and ceiling, were white. This meant they were possible projection surfaces. After some testing the overall scale of what was possible became clear to me. Add to that lots of listening to the piece, and the choir’s concept to juxtapose religious and military imagery and a design began to take shape.
I could talk for a long time about the design process and the technical gymnastics required to make it all work; and I’m happy to post about that as well if there’s interest, but for now, I just want to share some photographs taken during a rehearsal. Please click on the photos to view larger versions.
And just to give you a peak behind the curtains:
Here’s a photo of all of the computers and the main projections that made everything happen.
I sat down at my compute tonight, and something promoted insisted that I look at Twitter. I knew somehow I had to listen. Almost immediately, my eyes fell on a retweet by Natalie Christie (The Tiny Soprano) which had a link to the video below. I don’t want to say anything about it, other then to ask you to take the time to watch it. It’s 9 minutes long, and so worth it. Don’t miss the surprise at the end.
I have so much I want to say about this, and at the same time, I don’t want to say anything quite yet.
So I’ll do something different, and ask you to begin the conversation in the comments, then I’ll chime in there as well. There is so much here to talk about!